it is a record.... made in the USA with a picture sleeve... A1 Jumpin' With Symphony Sid 2:42 A2 Jack, You're Dead 2:45 A3 Is You Is Or Is You Ain't My Baby 4:57 A4 We The Cats (Shall Hep Ya) 3:18 A5 San Francisco Fan 4:28 A6 Five Guys Named Moe 2:31 B1 Jumpin' Jive 2:40 B2 You Run Your Mouth (And I'll Run My Business) 2:31 B3 What's The Use Of Getting Sober (When You're Gonna Get Drunk Again) 3:46 B4 You're My Meat 2:55 B5 Tuxedo Junction 5:18 B6 How Long Must I Wait For You 4:06 Of the three angry young men that emerged in the British new wave movement of the early '80s, Joe Jackson was perhaps the most idiosyncratic. Not content with being a pop songwriter, Jackson went to considerable lengths to prove himself as a composer -- often, he even seemed to have contempt for pop music itself. Appearing a few years after Elvis Costello and Graham Parker, Joe Jackson was doomed to always live in their shadow. Jackson was considerably more ambitious than Parker, rivaling Costello in his stylistic detours. After establishing himself as a gifted songwriter with a pair of edgy new wave pop records, he quickly set out to prove his eclecticism, recording album-length tributes to reggae, jump blues, traditional pop and jazz. While such diversity earned him critical praise and a cult following, it didn't result in widespread acclaim until 1982's Night and Day, which launched the jazzy hits "Steppin' Out" and "Always Something Breaking Us in Two." ....Powered by eCRATER . List your items fast and easy and manage your active items.
